Project Supervisor at Sonata Films. Master of Music with emphasis on Sound Engineering and TV Specialty from the Pontificia Universidad Javeriana. Adriana has over 12 years of experience in sound design and mixing for audiovisual productions for film and TV.
Adriana has worked in the sound post-production area for several companies in Colombia, such as Caracol Televisión, Efe-X S.A., Cinecolor Digital Colombia and Madhyama Producción Sonora.
She has worked on the sound Post-production process for several feature films, such as: “El paseo” (2010), “El cartel de los sapos” (2011), “En Coma” (2011), “Karen llora en un bus” (2011), “El control” (2013), “La eterna noche de las doce lunas” (2013), “De rolling por Colombia” (2013), “La Justa Medida” (2013), “Ciudad Delirio” (2014), “Aislados” (2015), “Canción de Iguaque” (2015), “Dos mujeres y una vaca” (2015), “La semilla del silencio” (2015), “Nacimiento” (2015) and “Santa y Andrés” (2016), “Pariente” (2016),“Pickpockets” (2017), “The Extraordinary Journey of Celeste Garcia” (2017), “Diciembres” (2018), “La Fortaleza” (2018), “La Frontera” (2019), among others. The highlighted TV series for which Adriana has worked are: “Regreso a la guaca” (2009), “Los caballeros las prefieren brutas” (2009-10-11), “La promesa” (2012), “El mundo animal de Max Rodríguez” (2013), “Arrepentidos” (2014) and “Protegidos” (2017). She has also worked on TV documentaries such as: “Diario Guaraní” (2016), ”La mujer maravilla sobre ruedas” (2016) and “La voz de todos-historias de la radio colombiana” (2017). In addition, she has worked on the sound design for web series as “Entre Panas” (2014-15) and “Blanca” (2016). She has also devoted her experience to the sound restoration for the following feature films: “Camilo, el cura guerrillero” (1974), “Carne de tu carne” (1983), “Tiempo de morir” (1985), “La mansión de la Araucaíma” (1986) and “María Cano” (1990).
Adriana Moreno’s full filmography can be found at the link below: